Showing posts with label chord vocabulary. Show all posts
Showing posts with label chord vocabulary. Show all posts

It Resonates With Me


[06/28 /13 show notes from Guitar Technique Tutor Podcast Episode 107 ]

Intro

(I don't know what kind of brain drain attacked me, but I apologize for referring to this show as Episode 106 a few times in the recorded show.)

So how were your last couple of weeks? Mine were crazy busy, but okay. 

TTFN to Shira, Aviv and Lani. Have good summers and play whenever you can. If you have taken your axes with you, spend some quality time with them. 

This week, the Spotlight is dark - almost everyone is or has been away. Maybe there will be a student in it next time, which I’m targeting for the 3rd week in July, barring any surprises. The Question of the Week is What’s a Resonator? The News is about Gretsch’s G9210 Boxcar™ Square-Neck and the Take Note segment topic is, Don’t Take Anyone’s Word For It.

Over the past few weeks did you hear about the Arizona dude who carried a Strat with a lot of autographs, such as Alice Coopers, to the top of Mt. Everest? It’s being auctioned for charity.


The other night, I watched a Smithsonian production about the history of the electric guitar. I have to say, I had high hopes for it, but it was not well researched. I thought the Smithsonian would have done diligent research, but hey, these are the same people that were going to put all of Les Paul’s things in their basement, rather than display them. In this program on the history of the electric guitar, attribution for the Berlin Wall coming down was given to the electric guitar. Honest. 

Have you been reading and hearing about Fender’s binding-less necks

Completely unique to Fender guitars, the new channel-bound design encases the fingerboard into the neck, achieving longer-lasting construction, increased contact and amazing comfort.
Encasing the fingerboard also provides greater resonance. The Fender channel-bound neck and fingerboard design acts more like one-piece neck than a two-piece neck, with both greater resonance and unison between neck and fingerboard.

Instead of being laminated to the front of the neck, the channel-bound fingerboard fits precisely inside the neck, making the surface flush with the curve of the maple.
In addition to creating a stylish new look, it imparts an amazingly comfortable fretting-hand feel in which both edges are pleasingly rounded, with no side seam between neck and fingerboard.





And how about PRS Thank You Package and Experience PRS Experience sweepstakes! Get free strings for a year with the purchase of PRS and PRS SE gear and be entered to win a trip for two to Experience PRS 2013, in Maryland, in September. IF you purchase a PRS electric guitar or amp, US manufactured, your Thank You Package will consist of 24 sets of PRS Electric Strings in the standard gauge of your choice (the approximate valor of which is about $240.) If you purchase and SE Electric Guitar or Amplifier, your Thank You Package will consist of 12 sets of PRS Electric Strings in the standard gauge of your choice (the approximate value of which is $150.) So, if you’re making a qualifying purchase, good luck! 

Here in the States, we’re approaching our Independence day next Thursday. Because it falls mid week, some people are taking the whole week as a vacation week, others are taking the Wednesday through Sunday. Some are taking the 4th through Sunday or Monday. I will have very few students, so it will be a great week to chill. This past week was so unexpectedly crazy that a loose schedule will be a welcome opportunity to decompress.

Independence Day ushers in a lot of sales, and from what I read online, in my emails and in my snail mail, there are going to be good deals at Guitar Center and other guitar sellers. I’m not a coupon-ing freak, but if I can save 15 or 20 or 30% on something I want or need, I’ll time my purchase so I can take advantage of a sale. I just did that this morning at CVS. I was going to go pick up something yesterday, but I had a coupon for 25% off everything beginning today. Hey, money’s money.

Despite last week’s madness, all of my guitars have fresh DRs. Oooo I love them. 

The Smithsonian program about the history of the electric guitar that seemed so factually skewed, did mention Les Paul. If you haven’t picked up the great tribute to Les, done by Lou Pallo, the rest of the trio and an assortment of admiring artists, called Thank You, Les.







Here in NJ we’re in clean up day 242 and although there has been a lot of progress, recovery at our shore communities is nowhere near complete. Thank you for your continued participation, prayers and/or contributions to Sandy NJ Relief or any other trustworthy organization that will direct funds exactly where they need to go, QUICKLY. 

We’re still thinking about our countrymen in Oklahoma, too. If you can volunteer, or contribute to the ongoing cleanup and recovery, I am sure it will be most appreciated. 


Student Spotlight 

In the warm glow of the Student Spotlight is nobody! Lots of students are away.

I’m looking forward to a threesome in the Spotlight next time. Let's see what happens



Question of the Week

This week's question came from one of my younger students, who asked with the most squinched up face you’ve ever seen, “what’s a resonator guitar?” Of course, they could have lifted a finger to go online and find out for themselves, but they didn’t. Well, I didn’t answer them and told them to research it and tell me about it next week, but in case any of you listeners aren’t familiar with resonator guitars, I’ll elaborate a little. 

Have you ever seen a wooden guitar with what looks like a metal disc on the sound board? or an all metal looking guitar, again, usually with a patterned metal disc on its sound board? Well, that’s a resonator. It seems that acoustic guitars in dance bands and other informal orchestras were being drowned out by horns. I’m going back to the ’20’s. There are several pioneers in the field and I’m going to focus my comments on the instrument, rather than the luthiers - you can research that yourself. 

The guitars are called resonators because the modification made was to increase the volume or resonance of the acoustic guitar. The early and current models have either a single or 3 cone-shaped amplifiers under that metal disc. I’m over-simplifying

Many variations of all of these styles and designs have been produced under many brands. The body of a resonator guitar may be made of wood, metal, or occasionally other materials. Typically there are two main sound holes, positioned on either side of the fingerboard extension. In the case of single cone models, the sound holes are either both circular or both f-shaped, and symmetrical; The older "tricone" design has irregularly shaped sound holes. Cutaway body styles may truncate or omit the lower f-hole.






Write Me if you'd like to submit a Question of the Week or suggest an additional segment topic. 
If I use one you submit, I'll send you a Guitar Technique Tutor pick.


News 

Since the question of the week was about resonators, this week’s news is about the Gretsch G9210 Boxcar™ Square-Neck resonator, part of their Roots Collection. I have spoken broadly about this collection in a previous podcast, but I'm going to spotlight the Boxcar™. Here's what Gretsch has to say about it:

"More powerful than a locomotive! This square-neck version of the 1930s Gretsch classic has the tone and punch that pro players demand. The vital feature of all Gretsch resonator guitars is the all-new Gretsch "Ampli-Sonic" diaphragm (resonator cone), which is hand-spun in Eastern Europe from nearly 99 percent pure aluminium and yields an impressive quality and volume of tone."

This is a nice traditional wood resonator. It has rosewood neck and medium jumbo frets. They've done a smart thing on this instrument. The back and sides are laminate. Hey, if the amplification is coming from the aluminum, using laminate keeps cost down and doesn't have much of an effect on the sound. The desired sound resonator players are looking for is very tinny.

Don't forget that this model is a square neck, but it's available as a round neck, too. 

Some extras are Gretsch Ampli-Sonic™ Spider Resonator Cone and Bridge; Nickel-Plated Poinsettia Design Cover-Plate; 1930s Gretsch Headstock with Aged Pearloid Face. A gig bag is not included but is available.

This guitar's MSRP is $599, which isn't bad. I have found some advertised street prices as low as $359, which is a sweet deal for a resonator made by Gretsch. 





Take Note

My take note topic this week is don’t take anybody’s word for it. I worked with a student a few days ago, who’s playing a pretty standard 60’s era song. If you heard the intro, you’d know exactly what song it is. So we were looking at and working this highly distinctive intro. It posed some challenge for the student because although he knew how it should sound, he needed to slow it down since he had to really think about the rhythm, rather than feeling it. We got through that.

Then, the body of the guitar part we were working on was a series of arpeggios of totally crazy chords. I shouldn’t call the chords crazy - their NAMES were crazy. I’ve had a gripe about the music publishing industry for a long time. I honestly don’t know if they’re completely uninformed or if they are computerized but don’t have any contextual equivalent of spell check when it comes to making up names for chords. If the chords were named theoretically correctly, although unfamiliar, they would be much easier to learn and remember. 




The given names of the chords in this progression were: 

D6 9, G6, D/F#, Asus2/E, Em7 and D. I don’t have any trouble with the Asus2/E or the D.

If you take a look at the image, look at what the music publisher has called D6 9. Really?? If you’re up on your music theory, and you examine the notes that are written for the first group of beamed eighth notes, you’d have no reasonable choice other than to call that arpeggio Em7/D, right? Definitely. 

Let’s examine the next kookie chord. Well, I know a lot of people call this a G6 because it is somewhat a G chord with an open E, which is the 6th note of the G scale. I have mentioned on more than one episode of this podcast that a 6 chord is never really what chord it its. For example, a C6 chord is really an Am7. When you see 6 in the name of a major chord, the correct name of the chord is its relative minor chord, minor 7. In this chord progressions, the G6 is really an Em7/G.

The D/F#, if we take an analytical look at it, we find that what we actually have is the same chord as the one before, except with an F# in the bass. So this chord should be namedEm7/F#.

No problem with the Asus2/E. That's right.

Now, it would seem like the Em7 is correct, but no way is it an Em7. What we have here is a Dsus2. The Asus2/E presents the high open E that is the suspended 2 in this D chord. And it typically and naturally resolves to D.

Now, isn't this chord progression more easy to remember and doesn't it imply the close relationships of the chords? Em7/D, Em7/G, Em7/F#, Asus2/E, Dsus2 and D. Of course it is. 

I've taken a bit of license because not every note in these chords were played notes, but theoretically, and logically, it makes the most sense. When you have crazy and exotic chord names, take a closer look. Don't believe anybody. 



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Outro

Check out the PRS Thank You Package and Sweepstakes and the dude who took an Alice Cooper signed Strat to the top of Mt. Everest!

I hope the Student Spotlight will be occupied next time. I'd like this podcast to count for the first week of July, even though it is early. I hope to have the next show up at the beginning of the 3rd week of July. 

I'm loving my crisp new DRs and can't make up my mind about which guitar to play, so I play them all.

A resonator guitar is amplified by a spun aluminum cone or cones. The sound is most used in blues, bluegrass and Hawaiian music. They're cool. Check them out.

The Gretsch G9210 Boxcar™ Square-Neck Model: 2715020521 is a very affordable resonator.

When a chord progression looks bizarre but doesn't sound bizarre, check it out. You may have a much more simple progression than you think. Use your theoretical knowledge to make sense of it.


If you’d like to further assist SuperStorm Sandy victims, Sandy NJ Relief Fund will put 100% of your contribution to excellent use. The recovery here is going to take years and some communities still have condemned homes and unlivable conditions. 

Don’t forget the marvelous tribute to Les Paul by Lou Pallo, the trio and other musical friends, called Thank You, Les. 

If you’re not comfortable, your guitar isn’t either, so don’t leave your guitar in a cold car or basement, or a hot car or attic. Humidify if your guitar lives in an environment in which there is less than 40% humidity. If you’re going on a vacation - ask a friend to keep the guitar at their home until you return, if you can.



You've Got To Be In It To Win It

[ 04/27/13 show notes from Guitar Technique Tutor Podcast Episode 103]

In this week’s show, the Spotlight is dark (bummer), the Question of the Week is, "That's a G chord?!". News is about our friends at Fender's new Standard Strat Plus Top models and Take Note is called, "It's That Time, Again."


So how was your week? Mine was pretty good. We have some drama going on with a close friend, but other than that, it was a good week. My students are progressing nicely, the weather has been fabulous if you aren’t allergic to astronomically high tree and grass pollen, which I am thankful that I no longer am, and next week, all of my students should be around for their lessons. No more school breaks until Memorial Day weekend, I think. That’s good. Before I can blink they’ll be gallivanting off for the summer.

Arno’s 2 bands played at a benefit last weekend and he said it went well. Good!

I think I’m still in the midst of DR marvelousness. Their high tech coating helps them last longer and play better. I know that the cusp and then the gradual decline will be farther off because of their proprietary K3 coating. It extends your strings’ life and I find them much more playable. Cool.

You know how some music just feels and sounds like summer? Whether it’s because you’ve watched videos or you have a memory of being in a certain place or situation, you’re sort of imprinted with an idea when you hear them - and i don’t mean because of the words. Well, among some of my students, this year, as the weather here finally broke, a lot of students are playing The Eagles stuff. It’s so interesting. The students are diverse, yet waves of common interest emerge from time to time. Right now, it’s time for the Eagles. It could be worse.

When I saw Lani this week, she said she had something to show me that was going to make me sad. While she was exiting and re-entering the room, I rattled off a list of things I didn’t want to see. She laid a broken Raptor pick on the coffee table. It was indeed a sad sight but was the solution to the mystery of to where one of mine disappeared. A good friend, Donna, made a zip key fob for me, in which I carry a few picks. I guess my that when I put my pick back into the fob after Lani’s lesson, I didn’t zip it and it fell out. She said she found it in the street and knew it had to have been my dead Raptor. 





Today is 180 days into the clean up and recovery from Superstorm Sandy. A local community college had a fund raiser for survivors in Seaside Heights - a popular tourist spot for many New Jerseyans. 9 Bands performed.  


If you would like to contribute to the clean up and restoration that is still so desperately needed, one of the reliable organizations to whom you can donate is SandyNJReleifFund.org.

I drove past the Mahwah Museum and pointed out the Les Paul in Mahwah: A Tribute sign to the person with whom I was riding.  Don’t forget that your opportunity to see the full exhibit is quickly waning. The exhibit as it is today will close June 30.  The museum is closed during the summer and through September.  The smaller permanent installation will be available to visitors in October. 

At this year’s Les Paul 98th Birthday Gala on June 8, there will be a couple of nice guitars raffled.

RAFFLE: DRAWING JUNE 8, 2013
Last years raffle in honor of Les Paul’s 97th Birthday was a resounding success.
This year the Mahwah Museum is doing it again.  They will be raffling off two more guitars; the raffle drawing will be held at the Les Paul 98th Birthday Gala being held on June 8, 2013, at the Trustees Pavilion at Ramapo College.  Attendance is not required to participate in the raffle.

First Prize:
White Epiphone Guitar, Les Paul Standard Royal, Body autographed by Bucky Pizzarelli, Lou Pallo and others, with Les Paul autographed pick guard circa 2007



Second Prize:
Epiphone Mahogany Guitar, Les Paul Studio, autographed by Lou Pallo, Peter Frampton, Lou Caiola and Peter Townshend [ I think the library has it wrong -  I sent them an email. I’m sure it’s Al Caiola]



Third Prize:
Les Paul and Mary Ford 45 rpm Record and Gibson Ad, autographed by Les Paul

Donation $25.00 per raffle ticket. Tickets are available for purchase at the Mahwah Museums: Wed/Sat/Sun from 1 – 5 p.m. To order by mail, send a copy of the  page you can print online, with your name, address, number of tickets and check payable to Mahwah Museum Society, and they will send the tickets to you.

Don’t forget to check out Thank You, Les, the tribute album and documentary spearheaded by Lou Pallo, with performances by the Les Paul Trio and numerous guitarists and musician friends of Les Paul.



Does your or your kids’ mom love to play guitar?  I know, if she’s a mom, she probably doesn’t have much time, but  my friend Tina of Tinaspicks.com is a busy mother and she finds time to play. Jewelry, flowers and dinner out are good, but a handful of genuine Raptor R Series guitar picks will show her you love her because it shows her that you know what she loves.  

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The Raptor R Series pick is destined to become a pivotal tool for creative guitarists, whether they’re moms, dads, sons or daughters.  Personally, I haven’t played with anything but a Raptor R Series since the very first time I touched one and I don’t think anyone will be disappointed when they play with a genuine Raptor R Series pick.

Get some today for the guitarist in your life, or for you  at RaptorPicksUSA.com   Free Raptors with a purchase of 4 or more is just another way of “spreading the excellence, one guitarist at a time.”

Raptor™ picks are a registered design. All rights are owned by Black Carbon.



This week's question came from a student who, like many, is locked into a very limited, visual understanding of chords - even basic ones.  He showed me a guy on YouTube, teaching viewers how to play a particular song (yeah, I know, this student of mine already has a teacher, but still he trawls YouTube - whatever). My instruction to him and everyone like him, is to close their eyes and listen - which he doesn’t always do.  The guy on YouTube was playing just the lower strings  of a pretty common movable chord.  Because he was playing just the lower strings, the diagrams of the chords he used were just the fragments, not the whole chord because he was only playing  3 or 4 strings.   Between not listening with inquiring ears and being so locked into thinking 5 or 6 string chords that are familiar, are the only versions of those chords, my student was challenged to grasp that the 3 or 4 low strings & the resultant diagram was just as much a G chord - or whatever chord it was, and that he actually plays that chord all the time in its fuller version.  Obviously, he only thinks in terms of fingerboard geography and in visual terms.  If he listened, he could hear that it was a the chord we were discussing.  If he were thinking what makes any chord whatever it is, he would have understood it with ease.  

You dudes are the visualizers and you need to be able to listen to what you play. 

Would you have had the same reaction as my student? As long as you have a root, a third and a fifth, you have a chord. It doesn’t have to look like something particular.  If you have a root and a 5, you’ve got a power chord (which we all know, isn’t really a chord.)

If you have  a question that you would like me to address on the podcast, please email it to me at guitartechnique@gmail.com.  If I use your question, I will be glad to send you a Guitar Technique Tutor Podcast pick. 


In the news this week are the new members of the Fender Standard Strat line, which are the Plus Tops.  

The http://www.fender.com/series/standard/standard-stratocaster-hss-plus-top/Standard Stratocaster HSS Plus Top delivers famous Fender tone and classic style, with the added elegance of a flame maple top on the alder body. Other features include single-coil neck and middle pickups, humbucking bridge pickup, tinted maple neck with modern "C"-shaped profile and satin urethane back finish, rosewood or maple fingerboard with 21 medium jumbo frets and 9.5" radius, three-ply parchment pickguard and parchment control knobs, vintage-style synchronized tremolo bridge and '70s-style headstock logo. Available in Tobacco Sunburst (rosewood fingerboard) and Aged Cherry Burst (maple fingerboard).



The Standard Stratocaster Plus Top delivers famous Fender tone and classic style, with the added elegance of a flame maple top on the alder body. Other features include three single-coil pickups, tinted maple neck with modern "C"-shaped profile and satin urethane back finish, rosewood or maple fingerboard with 21 medium jumbo frets and 9.5" radius, three-ply parchment pickguard and parchment control knobs, vintage-style synchronized tremolo bridge and '70s-style headstock logo. Available in Tobacco Sunburst (rosewood fingerboard) and Aged Cherry Burst (maple fingerboard).




Understand the primary difference between these guitars that look nearly the same and have the same MSRPs. which is  $739.99, is the pickup configuration. The good news is that there's a lefty version.

Then there’s the version with the locking tremolo: The Standard Stratocaster HSS Plus Top with Locking Tremolo delivers famous Fender tone and classic style, with the added elegance of a flame maple top on the alder body. Other features include single-coil neck and middle pickups, humbucking bridge pickup, tinted maple neck with modern "C"-shaped profile and satin urethane back finish, rosewood or maple fingerboard with 21 medium jumbo frets and 9.5" radius, three-ply parchment pickguard and parchment control knobs, Floyd Rose® double-locking two-point tremolo bridge and '70s-style headstock logo. Available in Tobacco Sunburst (rosewood fingerboard) and Aged Cherry Burst (maple fingerboard).This is an H/S/S model and its MSRP is $1009.99










My take note topic this week is, “It’s that time, again.”   Unless you like your guitar to look like a Willie Nelson special, you may want to take some minor precautions to protect your axe’s finish, now that on my side of the equator, it’s the spring/summer season. That means short or no sleeves and possibly playing or gigging outside. I can just see that sweat and all the skin oils coming out of your arm and clouding up or wearing down the finish of your guitar.  Yuck!  I can’t stand how it looks nor how it feels.   I have played way too many that had their finishes melted off the way acetone strips nail lacquer - not my guitars but those of friends or students.  I suppose if you had supersonic ears, you would actually be able to hear a difference.  After all, on acoustic guitars, the finishes are quite particularly formulated for the effect they have on the flex and the resulting sound.   

Hey, if you don’t care what your axe looks like, (and maybe even sounds like)  or if the lower bout loses its slickness for ease of your arm’s movement …. it’s cool.  It’s cool, but I don’t get it.  It doesn’t take too much to protect it.  A sleeve is great but not all shirts have sleeves.  I realize that not everyone can carry off taking a long or  3/4 sleeve shirt and cutting the other sleeve short or off for  comfort.  I used to do that all the time.  In another decade I found a shirt that already had a short and a long sleeve.  I wore it like crazy until it was threadbare.  Unless you are a brave individualist and have a tailor that can alter your shirts,  you may want to do something a bit more conventional.  A folded handkerchief is enough of a barrier between your hot sweaty skin and the possibly fragile finish on your guitar.  I don’t like them because they fall off.  I prefer the rib section of a sock.  It slips on and slips off when you are finished. It remains in place and doesn’t threaten to slide onto the strings when you’re playing.  I’ve already tucked a sock top into the bag I take out to students, now that spring is here.  Over the past couple of weeks, I  wore short sleeves a few times, already.  

If you have a mid or high end guitar, and you think you’d ever sell it, the cost of refinishing a guitar well - and by that I mean so it is undetectable, is quite expensive and  you would need to find an independent luthier or someone in a high end guitar shop, not the guys who are at the big name music stores where the “techs” mainly do string changes and neck set ups.  I’m suggesting refinishing for best resale price but I also think it’s incumbent upon you to disclose the refinishing to your intended buyer.  I’m sure they will appreciate your integrity.  



Glad your gig went well last week, Arno. 
Who’s playing Eagles music?    
I love the K3 coating on my DRs. They are still sounding sweet.  
We didn’t have a funeral for the run-over Raptor pick, but Lani was right, it did make me sad.  
If you’d like to further assist SuperStorm Sandy victims, Sandy NJ Relief Fund will put 100% of your contribution to excellent use.  The recovery here is going to take years.
Don’t forget the Les Paul in Mahwah exhibit at the Mahwah Museum in Mahwah, NJ which is open Wednesdays, Saturdays and Sundays, and the marvelous tribute to Les Paul by Lou Pallo, the trio and other musical friends, called Thank You, Les. 

You can get in on the raffle for the autographed Les Paul guitars even if you cannot attend the Les Paul 98th Birthday Gala on June 8th.

You don’t have to play all 5 or 6 strings of a chord if it isn’t the sound you want/need.   If you know what comprises a chord, a funny looking partial diagram won’t confuse you.

The relatively affordable Fender Standard Plus Top model line is nice. Just be sure to choose the pick up configuration you like.

Hey, put something between your sweaty arm and the finish of your axe.  You don’t want it to get rough and cloudy, do you?

If you’re not comfortable, your guitar isn’t either, so don’t leave your guitar in a cold car or basement, or a hot car or attic. Humidify if your guitar lives in an environment in which there is less than 40% humidity.


I’m hoping to have Episode 104 recorded, mixed and online by May 6th or 7th.  I won’t be producing a show the week of the 12th.  I have a few things cooking the preceding  weekend for a significant birthday, so I know I won’t be able to find time before the end of that week, for a show.  I’m not so big on birthdays, but when there’s a zero in the number, they’re noteworthy.


If you're seeking expert competent guitar instruction in the Bergen and Rockland County towns in which I teach, such as Airmont, Allendale, Fair Lawn, Franklin Lakes, Glen Rock, Hawthorne, HoHoKus, Hillburn, Mahwah, Midland Park, Montebello,  Montvale, Oakland, Oradell, Paramus, Park Ridge, the hamlet of Ramapo, Ramsey, Ridgewood, River Edge, Saddle River, Suffern, Tallman, Teaneck, Tuxedo, Tuxedo Park,  Upper Saddle River,  Viola, Waldwick, Washington Township, Westwood, Woodcliff Lake or Wyckoff please contact me. For lesson inquires, calling is best and my number is on the web site. If we can coordinate our schedules and you're a good candidate to learn to play the guitar, perhaps we can work together.
Whether you are a beginner guitarist, a gigging professional or at any level in between, a genuine Raptor™ guitar pick will catapult your playing forward.  Visit RaptorPicksUSA.Com to order yours today.
Practice, have a great  week, practice  and until next time, I'm D A Arlaus, doing my part to spread the excellence, one guitarist at a time. 




Rootless




So how were your last few weeks? Longtime listeners and readers are probably wondering, “Episode 101? Did I miss Episode 100?” Over what I thought was going to be a 2 week break from podcasting, which cascaded into 3 because I was so sick, I finally modified the web site and blog, so that the audio files for all shows are on blog pages (found at the top of the blog home page, rather than having pages and pages of show notes and audio files on the web site. Now, just the current show’s show notes are on the web site podcast page and on the blog. All other 2013 shows and show notes are on the blog and all 2010 - 2012 shows are available as sound archives only on the blog. 

As I was posting the podcast archives, I found 2 Episode 088s. One was just a PSA and the other was recorded the following week. So, what’s a podcaster to do? Of course, this week should be Episode 100, but that episode should be accompanied by some celebration and special things. Having been sick for the past couple weeks, I don’t have anything out of the ordinary for this episode, so if I count the PSA as an official podcast, this IS Episode 101, so roll with it. Sometime I’ll surprise you with something special in a random episode. 

If you go back to listen to archived shows, I didn’t begin podcasting with the software or hardware that I have now, so you will surely hear variation in the sound and quality of different shows.

I was laid low with a nasty bronchial something and cold. I have a student to thank for it. In the past week I have had a call from a father of a 5 year old, seeking guitar lessons. He said in his message that he read what was on the web site but that he still wants to discuss it. I have not yet called him back but I will. Please, if you are listening, unless you are teaching your own child and you’re equipped to do so, don’t seek guitar lessons for a 5 year old. I know Suzuki offers a course for wee ones but in my opinion, it does more harm than good, when it comes to guitar. If you have a musically inclined 5 year old, you would do well to have an electronic keyboard for them and perhaps some laid back lessons for them - or if they are curious and will explore the keyboard of their own accord, even better. The Baby Einstein parents are zealous for their kids to be fully developed by the time they’re out of 1st grade. Some things are better left to the more mature coordination and mental development of an older child. About 9 is the right age for most children. A little younger if they exhibit some particular characteristics. Some boys are better waiting until 10 or later.

As I record we’re in recovery day 167 since SuperStorm Sandy. The boardwalk in one of the shore towns that was destroyed in the storm, reopened a week or 2 ago. I was heartened to see news reports of people making it a point to go there and patronize the businesses. Cleanup is still ongoing. Thank you to everyone who is working to clean up our beaches, helping families, patronizing businesses that have been able to reopen, contributed time, talent, thoughts, prayers or cold hard cash to the relief effort. It’s going take a long time. If you’d like to make any contributions:   Sandy NJ Relief.

All my guitars have fresh-ish DRs on them. It like harmonic convergence! I love new strings. Is this where I mention that before I got sick, I burned the thumb of my left hand - I won’t go into details - so that was miserable. Then, after I felt better, my way way way overdue spring cleaning finally needed to be done. It never fails that when I do heavy fall and spring cleaning I break nails, and generally abuse my hands. It was no different this time. I have bandaids on both hands: the middle finger of my right hand and the base of my left index finger. I look like I’ve been through a war but my apartment’s clean and I have fresh strings on my guitars.

Tomorrow night is the Mahwah Museum gallery talk by Dr Charles Carerras, “The Genius of Les Paul.” I would go, even though I have heard the talk in the past, but Danielle had to reschedule her lesson and it will conflict with the talk. If you’re in the NY metro area, especially, northern NJ, you should call the museum at 201.512.0099 and reserve a spot if there are any left. It’s extremely informative and Dr Carerras and Les’s long time friend Jim Wysocki give a compelling presentation about a man who profoundly influenced 20th century culture.

If the gallery talk doesn’t fit your schedule, you just have a few months to visit the Les Paul in Mahwah exhibit at the Mahwah Museum in Mahwah, NJ. Visitors are welcomed 1-5 on Wednesdays, Saturdays and Sundays. After June the exhibit will shrink to a small permanent installment, unless something develops to keep it in its present, expansive state. 

By the end of June, the Les Paul in Mahwah: a Tribute exhibit will end in its current form. You shouldn't miss it if you will be anywhere in the NY metro area for recreation or business. Hours are 1 - 5 Wednesday, Saturday and Sunday. 

Lou Pallo, the Les Paul Trio and several jazz luminaries have created a terrific homage to the genius guitar player and inventor. Check out, Thank You, Les.





This week there is 1 student in the Spotlight, the Question of the Week is What’s up with these 9 chords? News is about a 130th anniversary guitar from our friends at Gretsch and Take Note is about Coachella - it’s finally here. Are you there?

Here are 4 descriptions of genuine Raptor™ “R” Series guitar picks with which  I wholeheartedly agree:

"Tools for the Creative”
From the moment you pick up the Raptor™ "R" Series it's obvious a great deal of thought has gone into its design and from the second you touch a string you can both feel and hear the difference between a Raptor and other picks you’ve tried.

“Beautiful and Tactile”
Genuine “R”  Series Raptors™ have three carefully sculpted picking tips. They’ve been created using the same sophisticated design and modeling techniques employed to produce formula one racing cars and the result of this design effort means they’ve been able to take the humble pick to a completely new level of performance.

“Absolutely Amazing”
Each picking tip forms complex curves designed to glide effortlessly over your guitars strings. Raptors produce clean tones with almost imperceptible attack that range from that of the brightest thinnest pick through to the warm rich tones normally associated with much thicker picks.

"The Pursuit of Excellence”
All genuine “R” Series Raptor™ picks are subject to very strict quality control procedures. Each "R" Series plectrum is precision molded from high grade Acrylic, then individually printed and inspected to ensure it meets their high standards prior to leaving their UK based factory.





Genuine Raptor™ “R”Series guitar picks are available at RaptorPicksUSA.com. Free Raptors with a purchase of 4 or more is just another way of “spreading the excellence, one guitarist at a time.”
Raptor™ picks are a registered design. All rights are owned by Black Carbon.


In the warm glow of the Student Spotlight is Bridget. She’s there by herself, even though last week she was on spring break and didn’t have her lesson.  She has been very consistent and embracing all the challenges  first year players encounter, and one by one she overcomes. Very nice work, Bridget. 

This week's question is about 9 chords.  It came from 2 students and is, “What’s up with these 9 chords? Are the diagrams wrong? 

It’s no secret that I’m partial to the 9 chord that contains all 5 of its notes.  If you haven’t played 9 chords and you’d like to hear this little gem, choose a fret from the  2nd or higher, with your 3rd finger bar the E, B and G string.  on the D string, use your 1st finger to hold the note a half step lower than the bar, and with your 2nd finger, hold the A string note that is at the same fret as the bar.




I love the sound of all 5 tones. That version of the chord sounds like the substitute for the dominant 7 chord, that it is. But this poor little - well, robust, actually, 9 chord is out in the cold all by itself.  The common 9s are still derived from their corresponding dominant 7 chords but in those common forms, the root of the dominant 7 chord is raised a whole step, which gives you the 9.  Yes, the root is no longer in those chords.  So, except for my fave robust version of the 9 chord, a C9, for example, DOES NOT CONTAIN a C.  I find this quirk  rather detestable. For my musical taste, I’d rather sacrifice the 5, just as happens in some dominant 7 chords.  So, to be a masterful 9 chord user - especially if you’re going to use it as a substitute for the dominant 7, you need to know where the root or roots of your dominant 7 chord are and raise it a whole step.  I recommend practicing your movable dominant 7s and their corresponding 9 chords.  Really look at what’s happening and understand the chord’s construction. It’s a good exercise.

If you have  a question that you would like me to address on the podcast, please submit it to me..  If I use your question, I will be glad to send you a Guitar Technique Tutor Podcast pick. 


In the news this week is the Gretsch G6128T-DCM Duo Jet, and the G6128T-LTV  130th Anniversary Jr. Model.

The Gretsch Professional Collection now includes the striking new G6128T-DCM Duo Jet, which features a double-cutaway chambered mahogany body finished in black and a three-ply arched maple top finished in Dark Cherry Metallic with single-ply binding.

The one-piece mahogany neck has a single-ply bound headstock with pearloid Gretsch logo, 12"-radius ebony fingerboard with 22 medium jumbo frets and pearloid Neo-Classic™ "thumbnail" inlays, a bone nut and a zero fret. Other features include dual High Sensitive Filter’Tron™ pickups, "G" Arrow control knobs and chrome hardware, Adjusto-Matic™ bridge with pinned ebony base and Bigsby® B3C tailpiece, Grover® Sta


The MSRP on this beauty is  $3200
There is a lefty version of this same guitar - maybe more like a lefty guitar in this collection, the G6128T-LTV, and its MSRP is $5100.  I didn’t compare the specs very carefully so I can’t say if the premium price is just due to the lefty build or if there is a considerable difference in materials. I suspect it's a combination of both.


Beautiful axes if you like and can afford them.
My Take Note topic this week is Coachella for those who can’t and didn’t go.
So, the countdown to Coachella’s first weekend has past and this coming weekend will be the follow up to the first weekend of the festival.  And for those of you who have listened to my comments to Anya, a former student, about Coachella over the past several shows: no, she didn’t go, but last week, she went to England instead.  She’ll have more chances to attend the music festival in the desert another time.  The offer of a trip to England was a one time opportunity and with good reason, she accepted it.  Anya, I hope you have gotten over your jet lag and had a great week on the other side of the pond.
As for Coachella 2013, the web site has the lineup for this week’s performances, tickets, travel, lodging, maps and links to videos from last weekend. There’s an official Coachella app for Apple and Adroid, too.
It’s a cool party in the hot desert.  Enjoy if you go, and if you don’t, you can hear and see a lot of the acts.

I hope I made a sufficiently persuasive case for this podcast being Episode 101.
My DRs are pretty and melodious and for now, I’m happy. Get your 5 year old a keyboard or if a disinterested 3rd party tells you in no uncertain terms that you have baby Mozart and you have a luthier who will measure and build a tunable, perfectly scaled guitar for your 5 year old’s size, get them a keyboard and allow them to intuitively learn about music. Save the guitar for a few years hence. Tuesday night at 7:30 you can hear the gallery talk, “The Genius of Les Paul,” at the Mahwah Museum in Mahwah, NJ.
Nice playing, Bridget. You go girl. When all the spring breakers return, I hope you’ll have some company.  Other than my groovy, robust 9 chord form, they are a bit anemic and lack their roots.  The gorgeous, champagne taste Gretsch 130th anniversary G6118T-LTV  130th Anniversary Jr. in both righty and lefty models are now available.  The Collector’s series does not contain many double cutaways. Get your fill of Coachella, if you didn’t or can’t go with videos and an app.
If you’d like to further assist SuperStorm Sandy victims, Sandy NJ Relief Fund will put 100% of your contribution to excellent use.  The recovery here is going to take years.
Don’t forget the Les Paul in Mahwah exhibit at the Mahwah Museum in Mahwah, NJ which is open Wednesdays, Saturdays and Sundays, and the marvelous tribute to Les Paul by Lou Pallo, the trio and other musical friends, called Thank You, Les. 
If you’re not comfortable, your guitar isn’t either, so don’t leave your guitar in a cold car or basement, or a hot car or attic. Humidify if your guitar lives in an environment in which there is less than 40% humidity.
You can follow me on Twitter, where I'm GuitarTechnique. I'm not a tweeting maniac, I tweet to update anyone following me and retweet what I think is interesting. On my home page, the podcast page of my web site and here,  on the Guitar Technique Tutor blog, which now contains all 2013 show notes and audio archives going back to the first, low sound quality episode, you'll find links to subscribe to the show notes by email or a reader. It’s best to subscribe to the podcast in iTunes.
If you're seeking expert competent guitar instruction in the Bergen and Rockland County towns in which I teach, such as Airmont, Allendale, Fair Lawn, Franklin Lakes, Glen Rock, Hawthorne, HoHoKus, Hillburn, Mahwah, Midland Park, Montebello,  Montvale, Oakland, Oradell, Paramus, Park Ridge, the hamlet of Ramapo, Ramsey, Ridgewood, River Edge, Saddle River, Suffern, Tallman, Teaneck, Tuxedo, Tuxedo Park,  Upper Saddle River,  Viola, Waldwick, Washington Township, Westwood, Woodcliff Lake or Wyckoff please contact me. For lesson inquires, calling is best and my number is on the web site. If we can coordinate our schedules and you're a good candidate to learn to play the guitar, perhaps we can work together.

Practice, have a great  week, practice  and until next time, I'm  D A Arlaus, doing my part to spread the excellence, one guitarist at a time.